i made this to study post-editorial composition and give the page a tactile feel through a reflective 3d render, lighting, and shadow.
i put a reflective sphere over a grid of colored panels, then let the type move in different directions around it.
i liked having one big word to come back to while everything around it competed for attention.
i made this as a restaurant concept. i wanted the food reference to come through in the objects and colors.
i paired the fork and rounded wooden shapes with oversized serif type, keeping the palette warm and fairly simple.
i let the objects overlap the lettering. it felt more like something you might see on a restaurant wall.
i wanted to give a website a tactile feel through 3d renders, lighting, and shadow. here, i explored that with a pale, rippled surface.
i used a pale pink, rippled material and kept most of the text around its edges.
i left the middle open. i wanted the light and texture to be the reason you stayed on the page.
i used this phrase to study post-editorial composition, pairing opposing type treatments with a grainy, almost physical surface.
i put a thin black serif at the top and a heavier white word at the bottom, over a grainy close-up.
i wanted the words to feel a little at odds with each other, even though they belong to the same phrase.
i made this as a quieter direction for a portfolio. i wanted to give a small image a lot of room.
i kept the image and name together and moved the navigation down, leaving most of the page empty.
i liked how much attention the small details got once there was less around them.
i wanted to make the page feel tactile through 3d renders, lighting, and shadow, exploring how transparent surfaces distort the layers beneath them.
i layered a rippled disc over pale blocks and reflective stripes, with the title sitting underneath.
i kept the labels small so the overlapping materials could do most of the talking.
i wanted to see how lighting and shadow could make a 3d form feel tangible on a mostly empty website.
i used a luminous form against black and placed the name and navigation near the edges.
i liked the amount of space the image had. adding more text felt unnecessary here.
i used this portfolio direction to explore post-editorial composition, giving the page a tactile feel with a reflective 3d render, lighting, and shadow.
i cropped a reflective sphere into the top and right edges and placed my name low on the left in muted red.
i kept the upper-left area empty. i liked the imbalance between the large object and the small amount of text.
i wanted to give the website a tactile feel through lighting, shadow, and surface detail, exploring sheen and grain as digital materials.
i used bands of different widths and a narrow vertical form that interrupts them.
i kept the home control small. i wanted the texture to fill the screen without much sitting on top of it.
i used a product-page concept to study post-editorial composition, combining a familiar bottle with rough texture, faint script, and an exaggerated crop.
i tilted the bottle, pushed it past the edge, and paired the gray surface with faint script and a dark red panel.
i liked letting the product label stay detailed while the rest of the page was more atmospheric.
i made this to explore post-editorial composition and a tactile web surface through reflective 3d forms, lighting, shadow, and overlapping type.
i layered reflective colored shapes behind italic text, then made the lower word much larger.
i let ‘fierce’ run off the bottom. the difference in scale felt right for the two words.
i wanted to give the website a tactile feel through 3d renders, lighting, and shadow, making the pale forms feel heavy beside the type.
i kept the colors close together and paired the rounded objects with a large title along the bottom.
i left the smaller labels at the edges so the shapes had room to feel substantial.
i wanted to explore how a woven surface, its lighting, and its shadows could make a website feel tactile with very little else on the page.
i let the green material fill the screen and placed a large white wordmark at the bottom.
i kept everything else sparse. the weave already had plenty of detail to look at.
i made this to study post-editorial composition, using oversized language and translucent layers to blur the boundary between text and image.
i layered oversized italic words over translucent colors and cropped panels, with smaller text high on the right.
i let the words spill beyond the frame. i liked that it felt a little too big to contain.
i wanted to study post-editorial composition while giving the website a tactile feel through wood-like 3d forms, lighting, and shadow.
i kept the objects in the upper part of the screen and pushed the white serif lettering into the lower edge.
i left plenty of black around the forms so their curves and texture stayed visible.
this is a post-editorial composition study built around a screen within a screen, with blurred red forms behind it.
i used blurred crimson forms behind the headline and brought a cropped laptop-like frame up from the bottom.
i kept the navigation high and small, leaving the headline and inner screen close together.
i wanted to explore digital materiality through mouse movement, making the page feel responsive to the person moving through it.
i used mouse tracking to generate the movement of the illuminated cells across the dot grid.
the grid stays steady while the cells move in response to the mouse. the recording shows that interaction.
i used a simple greeting to explore how lighting and shadow across a folded surface could make a website feel tactile.
i placed ‘hello’ over a dark folded texture and used a thin outline for the navigation below.
i kept the contrast low so the words felt like they belonged to the surface.
i wanted to explore post-editorial composition and give the page a tactile feel through reflective forms, lighting, shadow, and grain.
i used silver folds and grain behind large serif lettering, with a small masthead along the top.
i cropped the greeting at the bottom so it felt close, while the texture filled the rest of the page.